本书试图回答与其他戏曲或曲艺形式相比，二人转为什么具有巨大的艺术裹卷力和冲击力。因此，该书首先探讨二人转与原始仪式关系问题；接着探讨二人转与萨满的关系，之后探讨二人转与东北神话的传统，最后探讨二人转文化传统争论。得出结论认为，二人转之所以产生巨大的艺术裹卷力和冲击力，首先是来自二人转的意象，是二人转因为连着这部东北文化史，才使二人转连着它的源头。也正因为连着它的源头，二人转才获得了无穷的艺术魅力。( This book attempts to answer why Errenzhuan has such great artistic wrapping force and impact compared with other forms of drama or opera. Therefore, this book first explores the relationship between Errenzhuan and primitive rites; then explores Errenzhuan and the tradition of myth in Northeast China and the debate of traditional culture of Errenzhuan. This book reaches a condition that Errenzhuan has such great artistic wrapping force and impact because of the image of Errenzhuan which connects the cultural history of Northeast China which is its source. As it connects its source, Errenzhuan gets infinite artistic charm.)